Winner of the Spring 2019 StMU History Media Award for
Best Descriptive Article
Best Article in the Category of “Social History”
Many people are familiar with the lovable beagle Snoopy and the other members of Charles M. Schulz’s ‘Peanuts’ comics. The series revolves around Charlie Brown, his friends, and the famous beagle, Snoopy. While Snoopy lives in a fantasy world where he consistently engages in aerial battle with the WWI Red Baron, Charlie Brown must deal with much of life’s disappointments, ranging from receiving rocks in his Halloween candy bag to being tormented by Lucy van Pelt.1 Snoopy has become a household name; the character has even appeared in popular clothing brands such as Levi’s, Vans, and BAGGU. In addition, there are multiple locations around the globe where Charlie Brown and his friends are celebrated. For example, there are museums in Tokyo and California dedicated to both Snoopy and Charles M. Schulz himself, and there’s the famous amusement park, Knott’s Berry Farm, that would later make the Charlie Brown characters a part of their addition. No doubt, the ‘Peanuts’ characters are one of the most well-known cartoon icons. Much of their popularity began in the 1950s; however, the year 1968 was an especially interesting year for the ‘Peanuts’ gang. It was the year Schulz gave way to the comic’s first black character, and the year Franklin Armstrong became part of the ‘Peanuts’ family. Although a small act, Franklin’s debut became a big step in normalizing integration and it marked Schulz as one of the most influential cartoonists of all time.2
The year 1968 was a big year not only for Schulz, but it was also a big year for the African American population, the Civil Rights movement, and much of the United States. On April 4 of that same year, Martin Luther King Jr. was assassinated in Memphis, Tennessee. His death was met with outrage, and it sparked multiple riots and protests throughout the nation. A few months later, Robert F. Kennedy, an advocate for equality and civil rights, was also assassinated. Just a few years prior to King’s and Kennedy’s death, there was the Little Rock Nine who made one of the first attempts towards desegregation in public white schools. As many had already predicted, the Little Rock Nine were not welcomed by white students, and were instead greeted through physical and verbal abuse.3 It’s hard to say the United States was making much progress towards equal rights and desegregation, but it was still making some attempts. One of these attempts was made by Schulz and a retired teacher who resided in Southern California, Harriet Glickman.4
Harriet Glickman was both a teacher and a mother of three children, and, in the wake of Martin Luther King Jr.’s assassination, felt the need to spark some sort of hope during such a dark and rough time. Glickman explains her motive in an interview, “I was thinking about Dr. King, and about having lived through so many years of struggles and the racism and the [divisiveness] that existed.”5 Having children of her own, Glickman recognized how powerful and impactful comics were at the time. She realized, however, that many young comic fans had yet to see any type of diversity in any of the comic strips. Glickman said, “And my feeling at the time was that I realized that black kids and white kids never saw themselves [depicted] together in the classroom.”6 With that in mind, Glickman made it a priority to pen letters to several cartoonists; she requested that they offer images of integration and diversity in their comic strips, and she suggested that they include a colored individual as one of their main characters.7
Glickman first got in touch with the author of the “Mary Worth” comic series, Allen Saunders. Both Saunders and his artist, Ken Ernst, thought that the idea of integration would be nice. However, they feared being dropped from the syndicate, telling Glickman that “it is still impossible to put a Negro in a role of high professional importance and have the reader accept it as valid…He too would be hostile and try to eliminate our product.”8 Unfortunately, Saunders and Ernst walked away from Glickman’s proposal. But Schulz wrote back to Glickman expressing interest in the idea. However, like Saunders and Ernst, he was also very hesitant in moving forward with Glickman’s vision, primarily because he did not want to integrate characters in the comics out of fear that he would sound condescending to the African American race. Glickman acted quickly upon Schulz’s response, telling him she thought it would be a good idea to consult with fellow African American friends and ask for their opinions on integration in the series. She turned to friends Kenneth Kelly and Monica Gunning; they themselves wrote to Schulz encouraging him to move forward with Glickman’s idea. In contrast to what Glickman originally visualized, Kelly expressed that it would be better to add a character of color who would merely stand in the background. In this manner, integration would be introduced slowly and gradually, instead of automatically pushing it to the front line. Shortly thereafter, Schulz wrote back to Glickman with his response, telling her that he had received Kelly and Gunning’s feedback, and he hinted that she would very much be amused with his next comic strip.9
Shortly before the release of his next comic strip, which featured Franklin, Schulz was asked by the head of the United Feature Syndicate if he was sure he wanted the story to be released. Schulz responded with more confidence than ever, telling him they could either release the strip as is or else he would quit. It’s important to know that the ‘Peanuts’ series had already gathered a large fanbase and was very popular at this time, having millions of fans and readers globally. The syndicate had no choice; they had to release the story, otherwise they would risk giving up an already famous and influential cartoonist.10
Schulz released his latest comic strip on July 31, 1968, and it was the day Franklin Armstrong made his debut in the series. Almost fifty years ago, Charlie Brown lost sight of his beach ball and it was later returned to him by the series’ first member of color. Following their encounter, the two friends returned to the seashore and built a sandcastle together.11
Franklin’s debut broke racial barriers and was met with both praise and criticism, and much of the latter would come from the South. Many editors from the South sent messages to Schulz, and expressed that they did not want to see colored children interacting with white children, claiming that schools in the South were already going through a desegregation process. The process itself was already too heavy and controversial in the South, and seeing characters like Franklin in the newspaper was merely distasteful to Southerners.12
While some complained about the comic series introducing a member of color, others complained that Franklin was too bland and boring of a character in comparison to the rest of the ‘Peanuts’ gang. They argued that Franklin was ‘too perfect’ and did not have a defining characteristic much like how Charlie Brown is known for being reluctant and Lucy for being a bit snooty. Instead, Franklin was intelligent, very athletic, and overall, he was a good person. Despite his debut making a groundbreaking statement, he didn’t seem to meet the expectations of many. However, what many forget is that Schulz feared sounding patronizing or condescending in his creation of Franklin, and therefore had to be careful in how he characterized him.13
Regardless of the criticism Schulz received, the comic strip was successful in giving the African American population some representation and a place in society. This particularly rang true for Robb Armstrong, who was just six years old at the time of Franklin’s debut. Franklin’s appearance in the comic series was remarkable and touching for Armstrong, who had told his mother he wanted to be a cartoonist. He later became the creator of both Fearless: A Cartoonist’s Guide to Life and Jumpstart and even met Schulz after having sent the latter a comic strip of his own.14 A few year later, Schulz called Armstrong to ask if Franklin could bear the latter’s last name, having realized the character was only known as “Franklin.”15
Recently, in 2018, the ‘Peanuts’ series was met with outrage and was accused of racism because of a particular scene in the movie “A Charlie Brown Thanksgiving.” The scene depicted Charlie Brown and his friends sitting around a table, with most of them sitting on one side of the table and Franklin sitting by his lonesome on the other side. Many viewers took this scene as a hint towards segregation. This backlash in itself is ironic, as the reason Franklin was introduced to begin with was to fight back against racism and to normalize integration, especially in schools. Without Glickman’s impulse on making a statement and Schulz’s confidence in his influence as a cartoonist, Franklin may not have ever existed to begin with. The people of today may point fingers at the series all they want, but no one can deny Franklin’s bittersweet backstory, Glickman and Schulz’s good intentions, nor the impact it would have on the many readers living in such a despairing time.
- Britannica, 2009, s.v. “Peanuts,” by Michael Ray. ↵
- Stan Friedman, “50 Years Ago, Teacher Spurred Integration in ‘Peanuts’ Strip,” COV (blog), August 1, 2018, https://covenantcompanion.com/2018/08/01/50-years-ago-teacher-spurred-integration-in-peanuts-strip/. ↵
- Ha Thu-Huong, “The Sweet Story Behind Peanuts’ Groundbreaking First Black Character,” Quartz, December 11, 2015, https://qz.com/571393/the-sweet-story-behind-peanuts-groundbreaking-first-black-character/. ↵
- Kamp David, “Guess Who’s Coming to ‘Peanuts,’” The New York Times, January 13, 2018, https://www.nytimes.com/2018/01/13/opinion/sunday/peanuts-franklin-charlie-brown.html. ↵
- Kavna Michael, “Franklin Integrated ‘Peanuts’ 47 Years Ago Today. Here’s How a Teacher Changed Comics History,” The Washington Post, July 31, 2015, https://www.washingtonpost.com/news/comic-riffs/wp/2015/07/31/franklin-integrated-peanuts-47-years-ago-today-heres-how-a-teacher-changed-comics-history/?noredirect=on&utm_term=.281dcb22ddaf. ↵
- Kavna Michael, “Franklin Integrated ‘Peanuts’ 47 Years Ago Today. Here’s How a Teacher Changed Comics History,” The Washington Post, July 31, 2015, https://www.washingtonpost.com/news/comic-riffs/wp/2015/07/31/franklin-integrated-peanuts-47-years-ago-today-heres-how-a-teacher-changed-comics-history/?noredirect=on&utm_term=.281dcb22ddaf. ↵
- Kavna Michael, “Franklin Integrated ‘Peanuts’ 47 Years Ago Today. Here’s How a Teacher Changed Comics History,” The Washington Post, July 31, 2015, https://www.washingtonpost.com/news/comic-riffs/wp/2015/07/31/franklin-integrated-peanuts-47-years-ago-today-heres-how-a-teacher-changed-comics-history/?noredirect=on&utm_term=.281dcb22ddaf. ↵
- Tom Heintjes, “Crossing the Color Line (in Black in White): Franklin in “Peanuts”,” Hogan’s Alley, July 31, 2013, http://cartoonician.com/crossing-the-color-line-in-black-and-white-franklin-in-peanuts/. ↵
- Wong Kevin, “Franklin Broke Peanuts’ Color Barrier In The Least Interesting Way Possible,” Kotaku (blog), July 31, 2018, https://kotaku.com/franklin-broke-peanuts-color-barrier-in-the-least-inter-1793843085. ↵
- Kavna Michael, “Franklin Integrated ‘Peanuts’ 47 Years Ago Today. Here’s How a Teacher Changed Comics History,” The Washington Post, July 31, 2015, https://www.washingtonpost.com/news/comic-riffs/wp/2015/07/31/franklin-integrated-peanuts-47-years-ago-today-heres-how-a-teacher-changed-comics-history/?noredirect=on&utm_term=.281dcb22ddaf. ↵
- Cecilia Lei and James Delahoussaye, “‘Peanuts’ First Black Character Franklin Turns 50,”NPR, July 29, 2018, http://www.npr.org/2018/07/29/633544308/peanuts-character-franklin-turns-50. ↵
- Wong Kevin, “Franklin Broke Peanuts’ Color Barrier In The Least Interesting Way Possible,” Kotaku,July 31, 2018, https://kotaku.com/franklin-broke-peanuts-color-barrier-in-the-least-inter-1793843085. ↵
- Wong Kevin, “Franklin Broke Peanuts’ Color Barrier In The Least Interesting Way Possible,” Kotaku,July 31, 2018, https://kotaku.com/franklin-broke-peanuts-color-barrier-in-the-least-inter-1793843085. ↵
- Axelrod Jim, “The Surprising Story behind Franklin, the First Black “Peanuts” Character,” CBS News, August 02, 2018, http://www.cbsnews.com/news/the-surprising-story-behind-franklin-the-first-black-peanuts-character/. ↵
- Cecilia Lei and James Delahoussaye, “‘Peanuts’ First Black Character Franklin Turns 50,”NPR, July 29, 2018, http://www.npr.org/2018/07/29/633544308/peanuts-character-franklin-turns-50. ↵
This Post Has 71 Comments
Amanda Uribe
13 Oct 2019I remember hearing about the backlash of the Charlie Brown Thanksgiving movie. I had no idea that Schulz was that progressive. He did not have to put Franklin in there but he did. Representation really does matter and our country was going through so much when he did that. I think that it is sad that people think that it is racist now. Good article.
Jacob Silva
29 Sep 2019I remember during my childhood I would always watch the Peanuts cartoons and I never would have known that the character of Franklin was one that had caused a degree of controversy were it not for this article. Now, that I think about the context these comics were being made I understand why that was the case. I commend Schultz for taking a stance against segregation by introducing this character.
Addie Piatz
29 Sep 2019I’ve always loved Peanuts and I didn’t think i could love it more til now. I love the story behind it and how Shultz used it’s effectiveness to positively impact it’s fans and even the people that didn’t regularly read the Peanuts comics or watch the movies. I think it was a very brave thing he did and i am glad to have read this wonderfully written article.
Shea Slusser
25 Sep 2019As many know, Charlie Brown was a very popular character of its time period, and I was unaware of its effect it had on segregation. I honestly think the topic was very interesting and was a really well throughout way to introduce a better society for us all, including the fact that younger generations read the comics and get to see different races interact in a casual manner. I thought it was well written and a good topic to write about.
Jose Chaman
17 Sep 2019Outstanding story and great article! I did not know that the incorporation of Franklin into Peanuts was originally an idea of Harriet Glickman and not from Schulz. It was great action, though, that Schulz accepted to contribute to the anti-segregation movement. Franklin represents much more than a new character, is a whole anthropological actor, It is awesome how little decisions can drive us to great results. Certainly, Schulz paved the path towards the end of segregation and the unification of humankind.
Todd Brauckmiller
15 Sep 2019This is a unique topic that I would have never guessed would have won a award. Now I’m not saying this topic is bad all at, it was a very great read, I’m just surprised that a topic like this was discovered. That’s a good thing though, telling unique stories that people never here about. Telling those stories are what gets the peoples attention. To me I think that it was a great idea to introduce Franklin into the world of Charlie Brown, very sad that it got criticized by some people. Adding his (at first) appearance as a side character was a good choice to slowly thin the ice, and by ice I mean the race walls in America. Great topic and really enjoyed the story of the character Franklin Armstrong.
Sebastian Portilla
15 Sep 2019I really enjoyed this article. It was very unique. The peanuts crew has been one of my family favorites for such a long time. Every major holiday we would pop in a Charlie Brown Holiday Cd and all enjoy it. It was very cool and courageous for Schultz to implement Franklin into the story during a time of tension. The character Franklin would be another symbol of hope for the African American Community and their fight for equal rights.
Eliezer Leal
11 Sep 2019I remember watching the old Peanuts specials that would air on TV during the holidays and I would think wow look at all of Charlie Brown’s friends gathering together. Growing up in the early 2000s I never thought Franklin was a character that was made with the intention to have an impact on society, I just thought that he was like any other another character. I think it is amazing that people like Schulz and Glickman were able to speak there mind in a time where the world was hesitant to listen.
Briana Montes
8 Sep 2019I would watch “Peanuts” and never really realized the importance and background of this character. I find it inspiring that they did this especially in this time period. This article defiantly improved my knowledge in this movie and character. It showed that sometimes taking a risk is something good to do because even tho he did get negative remarks about it, the good outweighed the bad.
Jesus Parker
8 Sep 2019Interesting story and well-written article! I would have been so easy for Schulz to never even add Franklin to the Peanut’s cast but instead, he decided to do what he believed was right. Back in the 50s, there were hardly ever black representation in much of anything. Schulz’s work with Franklin could have directly paved the way for more representation of other races in other works.